1999

Vol. 20, No. 1: SORRY, SOLD OUT—Light and Shade Relationships / Toning Ilford Warmtone / Silver Mirror Printing / Enlarger Heads Part I

Vol. 20, No. 2: Enlarger Heads Part II / Photographic Myths / Reciprocity Failure in Ilfochrome / Fuji Crystal Archive Paper / DIGITAL SECTION / Photoshop: Atmospheric Perspective
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Vol. 20, No. 3: Improving View Camera Sharpness / Kodak Colorama / Photographing in the Alps / Dodging and Burning
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Vol. 20, No. 4: SORRY, SOLD OUT—Contest Winners / Guide to Monolights / Olympus OM System / Lepp Bracket / Digital Photo Restoration / DIGITAL SECTION / Photoshop: Shoot Twice, Scan Twice
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Vol. 20, No. 5: SPECIAL 20th Anniversary Issue / Arnold Newman / Portraits of Photographers / The Past and Future of Color Photography / Using Sheet Film / Using One Light Part I / The Genesis of Xtol
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Vol. 20, No. 6: Using One Light Part II / 25 Best Cameras / Contax Aria / Phillips 4x5 / Pyro for VC and Platinum / DIGITAL SECTION / Digital Master Printing Class / Film Scanning
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1998

Vol. 19, No. 1: SORRY, SOLD OUT—Calibrating Dichroic Colorheads for VC B&W Paper / R. Steiner on Art of Post-Transcendentalizing / Trap Focus / Darkroom Supplier Guide

Vol. 19, No. 2: SORRY, SOLD OUT— Fine Printing / Using the View Camera / RC Print Permanence / Ralph Eugene Meatyard / Batteries

Vol. 19, No. 3: Giclee (quality inkjet) Printing / View Camera Checklist / Night Photography / RC Print Permanence Part II / Alaskaís Inside Passage
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Vol. 19, No. 4: SORRY, SOLD OUT—Lith Printing / Street Shooting Using Contax G2 / Enhancing Filters / Fuji GA645 / Color Film Guide

Vol. 19, No. 5: Leica Noctilux / High-Speed Color Neg Films / School Photography / Lith Printing Part II / Ilford MG IV FB & Warmtone Papers / B&W Film Guide
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Vol. 19, No. 6: Controlling Studio Lighting / Photographing Air Shows / Kodak E200 Slide Film / Photo Paper Guide / Saunders 4500 Enlarger / First Digital PHOTO Techniques Section: Digital Imaging for Traditional Photographers / Color to B&W in Photoshop
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1997

Vol. 18, No. 1: The New Cyanotype / Grain Focusing / Saving Time and Paper / Well-Ventilated Darkroom
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Vol. 18, No. 2: Platinum Palladio Printing / Cartier-Bresson / All About Drymounting
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Vol. 18, No. 3: What is 'Bokeh'? / Environmental Portraiture / Platinum Handcoating
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Vol. 18, No. 4: Fuji Astia / Guide to Papers / Forte Poygrade / Ziatype
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Vol. 18, No. 5: SORRY, SOLD OUT—History of Color / Unsharp Masking Update / Classic Ektar Lens
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Vol. 18, No. 6: Leica M Cameras / Gradation / Color Masks with TMX
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Vol. 17, No. 1: SORRY, SOLD OUT— Gum Printing I / Guide to Darkroom Suppliers / Howard Bond: Unsharp Masking

Vol. 17, No. 2: Paul Caponigro / Focusing the View Camera Parts I & II
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Vol. 17, No. 3: Beauty in Color Printing / Gum Printing II / New Day for Dye Transfer
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Vol. 17, No. 4: Mysteries of the Vortex: Print Washing Part I / Sid Avery's Hollywood
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Vol. 17, No. 5: New Photojournalism / Avedon / Brett Weston
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Vol. 17, No. 6: SORRY, SOLD OUT—Xtol / Print Bleaching / Archival Washing Part 2

1995

Vol. 16, No. 1: SORRY, SOLD OUT—Sexton on Polymax/ Intro to Sensitometry /Gardens

Vol. 16, No. 2: SORRY, SOLD OUT— Light Meter Practicum/ Steiner on Flare/ Combination Printing

Vol. 16, No. 3: 35mm vs. 4 x 5 /Agfa Multicontrast Classic/ Oriental Cold Light
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Vol. 16, No. 4: The Leica Mystique/Nikon 35Ti & 28 Ti/Bond on B&W
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Vol. 16, No. 5: Mitchell on Color Printing/Erich Hartmann / New ISO Standard
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Vol. 16, No. 6: Jim Hughes on W. Eugene Smith/Dignan NCF-41 / Medium Format
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1994

Vol. 15, No. 1: Pre-Exposing Film & Paper / Resolution Charts / Merklinger Books
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Vol. 15, No. 2: SaltHill FiberOptic Enlarger / Extending Electonic Flash / Transfers
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Vol. 15, No. 3: Prewetting / Kallitype Printing / Essential Underwater Equipment
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Vol. 15, No. 4: Forte Warmtone / Palladio Velvet / Color Balance Ideas
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Vol. 15, No. 5: VC Papers Revealed / Color Print Consistency / Principles of B&W
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Vol. 15, No. 6: SORRY, SOLD OUT— Film Formats / Principles of Print Quality / Vitamin C Developers

1993

Vol. 14, No. 1: Fast-Proofing / Handholding Kodachrome / Internegatives
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Vol. 14, No. 2: Fill Flash / TF-4 Fixer / Paper Negatives
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Vol. 14, No. 3: Dye Dodging /Phil Davis on Film Development / Tricolor Printing
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Vol. 14, No. 4: Light & Color / Large-Format Infrared / Zone System Color Filter Use
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Vol. 14, No. 5: Pseudosolarization / Tricolor Advances / Large-Format Infrared / Printing Efficiency
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Vol. 14, No. 6: Latensification / Camera Shutter Delays / Filters for B&W / Hand Coloring
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1992

Vol. 13, No. 1: Exposure & Reflection Control / Color Printing Analysis / Personal Sensitometry / Sabatier Direct Reversal
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Vol. 13, No. 2: Henry Gilpin-Paper Contrast / Depth-of-Focus / Controlling Stop Motion / Cibachrome Contrast
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Vol. 13, No. 3: Manipulate B&W Paper Contrast / Van Dyke Printing / Nature Up-Close / Dust Control
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Vol. 13, No. 4: Photo-Environmentalism / Shadow Control / Proportional Reducers / Lighting Reflection Control
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Vol. 13, No. 5: Digital B&W Control / Lighting Control / Print Brilliancing / Sharpness
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Vol. 13, No. 6: Digital Color & Contrast Control / Tonal Reproduction / Shadow Control / 58mm Super-Angulon XL
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1991

Vol. 12, No. 1: Special Effects / High-Speed Photography / Controlling B&W Film Contrast / Solarization
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Vol. 12, No. 2: Image Resolution / Color Special Effects / Color Printing & How We See
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Vol. 12, No. 3: Ciba Contrast Control / Hand Coloring Photos / Your System's Resolution
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Vol. 12, No. 4: B&W Local Contrast / Lens Coatings / Color Special Effects / Long Exposures
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Vol. 12, No. 5: Zone System Calibration / Gum-Oil Techniques / Using Reflections
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Vol. 12, No. 6: B&W Calibration / Architectural Photography / Depth-of-Field
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1990

Vol. 11, No. 1: SORRY, SOLD OUT— Caring for Rollfilm / Scanning Photomacrography / Variable Contrast

Vol. 11, No. 2: Slide Special Effects / Testing Film Agitation / Large-Format Lens Testing
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Vol. 11, No. 3: Zone System Contraction/ Photographing Moving Water / Depth-of-Field & Film Definition
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Vol. 11, No. 4: Monobath Method / "Flat Field" Optics / Location Lighting / Film Developer Dilutions
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Vol. 11, No. 5: SORRY, SOLD OUT— Non-Reflex Cameras / Film Contraction / C-Print Contrast Control / Cibachrome Divided Developer

Vol. 11, No. 6: Copying Old Photos / Architectural Photography / Color Negative Masking
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