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BACK ISSUES

November/December 2006

    

How to Make Unsharp Masks, Part II, by Howard Bond
Get significantly sharper darkroom prints using these tried and true methods.

Toning Traditional Prints, by Richard Newman
Toners can intensify a mood, add variety to your B&W work, or make a print more archival. Here’s an overview of some popular toners and combinations.

Everything You Need to Know about On-Camera Flashes, by Steven Begleiter
These flexible tools offer photographers a wide range of options—
without breaking the bank.

Dust in the Wind: The legacy of Dorothea Lange and Paul Schuster Taylor’s An American Exodus,
by A. D. Coleman
This classic photography book offers much to today’s photographers.

Master Printing Class Special Section

When Less is More, by Bruce Barnbaum
Realize your Visualization, by John Sexton
Printing a Thin Negative Digitally, by Paul Schranz
Over-Inking: Causes and Cures, by John Paul Caponigro
Seeking Emotional Rather than Literal Truth,
by Michael Reichmann

Burning and Dodging in Photoshop—How to Do it Right, by Barry Haynes
Forget the burning-and-dodging tool; experienced users
employ other means.

 

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