Going Negative,
by Howard Bond
Some images work better as negatives than they do
as positives. Here’s when and how to do it.
The Right Stuff:
Why You Need High-Quality Tripod Ballheads, by Nick
Zavalishin
A good ballhead makes all the difference with tripod
shooting, helping you get sharper images.
Portfolio: Faux Landscapes and Disasters,
by Lori Nix
Do Some Inkjet
Prints Now Surpass the Darkroom? by Mark Dubovoy
A new generation of papers, in conjunction with newer
printers, create prints that rival—and perhaps
surpass—the darkroom.
Setting up a
Photo Studio on a Budget, by John Siskin
Whether you’re a beginner or a pro, a studio
set up for your purposes helps you get more work done.
Measuring Digital
Dynamic Range, by Timothy Edberg
Knowing the range of tones your digital camera can
capture helps you make crucial exposure decisions.
Here’s how to determine it.
"This is the best photo mag for
those of us passionate about photography. It has long in-depth
articles on techniques and equipment. Moreover, it features
how-to examples from some of the best fine art photographers
of our time. It is thus quite different from other magazines
that feature some no name staff writer pretending to be
Paul Strand."
